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Tuesday, May 22, 2012

Photo 12s- Final Portfolio

Presentation of an Exemplary Portfolio
(20 marks)
  • Introduction/artists statement (5 marks): Paragraph 1 introduces self and explains interest in photography, Paragraph 2 describes nature of your work (make references to specific pieces), Paragraph 3 Your future how might you further your imterests in photography.
  • Well organized (5 marks)- good flow from image to image- strong beginning and end.
  • Professional presentation (5 marks)- no technical flaws.
  • Overall portfolio (5 marks)
12 Exemplary Original Photographs- each image masters the following:
(2.5 marks each image, total 30 marks)
  • Clear concept/message
  • Composition & design
  • Technical Proficiency
  • Creative treatment of subject matter
  • Professional quality
Web Page Portfolio (http://www.wix.com/)
Design a simple online portfolio with 12 + of your best images.
Select only your very best images: composition, technical, creativitiy.
Consider the flow, order, and make sure the page design does not distract from your images.

Thursday, May 17, 2012

HDR Landscapes

High-dynamic-range imaging (HDRI or just HDR) is technique that allow a greater range of luminance between the lightest and darkest areas of an image than current standard digital imaging techniques or photographic methods. This wide dynamic range allows HDR images to more accurately represent the range of intensity levels found in real scenes, ranging from direct sunlight to faint starlight. The two main sources of HDR imagery are computer renderings and merging of multiple photographs, the latter of which in turn are individually referred to as low-dynamic-range (LDR) or standard-dynamic-range (SDR) photographs.
The HDR assignment:
  1. Find some examples of cool HDR images for your journal.
  2. Using the exposure compensation mode on your digital camera and take several sets (3 or more) of images of one topic with different exposures (keep your camera steady).
  3. Take several different landscapes with multiple exposures in different locations.
  4. Download, print/upload a contact sheet.
  5. Merge 3+ images into one HDR photo.
  6. Use Adobe Photoshop to merge together. Then try Photomatix.
  7. Upload 3 or more of your HDR image to your blog or print and paste into your journal.
Due May 25th

  

Monday, May 14, 2012

Cyanotpe, VanDyke+Lumin Processes

Cyanotype
Cyanotype
Cyanotype is a photographic printing process that gives a cyan-blue print. The process was popular in engineering circles well into the 20th century. The simple and low-cost process enabled them to produce large-scale copies of their work, referred to as blueprints.
A positive image can be produced by exposing it to a source of ultraviolet light (such as sunlight) with a negative. The UV light reduces the iron(III) to iron(II). This is followed by a complex reaction of the iron(II) complex with ferricyanide. The result is an insoluble, blue dye (ferric ferrocyanide) known as Prussian blue.
Upon exposure to ultraviolet light (such as that in sunlight), the iron in the unexposed areas will reduce, turning the paper a steel-grey-blue color. The extent of color change is dependent on the amount of UV light, but acceptable results are usually obtained after 10-20 minute exposures on a dark, gloomy day. The highlight values should appear overexposed as the water wash will reduce the final print values. Prints can be made with large format negatives and lithography film, or everyday objects can be used to make photograms.
After exposure, developing of the picture involves the yellow unreacted iron solution being rinsed off with running water. Although the blue color darkens upon drying, the effect can be accelerated by soaking the print in a 6% (v/v) solution of 3% (household) hydrogen peroxide. The water-soluble iron(III) salts are washed away, while the non-water-soluble Prussian blue remains in the paper. This is what gives the picture its typical blue color.
VanDyke
Van Dyke Brown is an early photographic printing process. The process was so named due to the similarity of the print color to that of a brown oil paint named for Flemish painter Van Dyck.
VanDyke Print
Printing with Van Dyke Brown requires the use of a large format negative in the size of the desired print, a suitable substrate for coating and subsequent printing, and a UV light source, either sunlight or suitable bulbs. The substrate can be almost anything that the solution will adhere to. Watercolor paper is a good first choice, but trickier substrates such as metal, glass or tile can be first 'sized' with gelatin or arrowroot to facilitate coating. The substrate is coated with solution under tungsten light, air dried, and coated a second time if desired for a stronger image.
The negative is placed on the thoroughly dried coated substrate, and is then weighted with a piece of glass. Frequent printers often use a printing frame to ease the checking of printing progress without disturbing the registration, or alignment, of the negative on the paper. These printing frames also ease the printing of a second coat over the same image.

Lumin
Lumin Print by Angel Pei
“Lumen” is understood as the projection of light radiating from one ominous source, i.e. sunlight, or UV light. This is particularly pertinent to this method of printing as it utilizes available light (daylight) as opposed to controlled light (enlarger exposure light, or the rapid on/off light when creating photograms) in order to print an image.

Lumen Printing is also an alternative to printing contact prints or photograms, again requiring minimum time, equipment and money. This is a black and white photographic process, although with that in mind, you will be surprised by the results (and colour) of your creations. That is the beauty of photography.

Alternative Processes Site

Thursday, May 10, 2012

Nature Verses- CHRISTO+JEAN-CLAUDE

Internationally acclaimed artists Christo and Jeanne-Claude spent more than 40 years creating highly celebrated works of art around the world. Together this unique, dynamic married couple changed the concept of “public art” by creating temporary works that are truly transitory by design.

Christo and Jeanne-Claude have never accepted, nor will Christo accept in the future, any subsidies, royalties, grants, or sponsorships of any kind for their temporary public works of art. Similarly, the artists do not make any endorsements of businesses, products, political movements, other artists, or anything else. All of the artists’ income is derived from the sale of original works of art by Christo to private collectors, galleries and museums. Christo and Jeanne-Claude have always maintained a position of total artistic freedom, with no constraints or financial considerations imposed upon their works of art by any outside party.
Over the River Project Site- August of 2015
Over The River is a two-week temporary work of art by the artists Christo and Jeanne-Claude. The project’s plans call for 5.9 miles of silvery, luminous fabric panels to be suspended high above the Arkansas River along a 42-mile stretch of the river between Salida and Cañon City in south-central Colorado. Fabric panels will be suspended at eight distinct areas of the river that were selected by the artists for their aesthetic merits and technical viability.
Overview of Christo's & Jean-Claude's work
Find examples of Christo and Jean Claude's work to add to your journal.

Wednesday, May 9, 2012

Nature Verses- MANUFACTURING

"I think the environmental movement has failed in that it’s used the stick too much; it’s used the apocalyptic tone too much; it hasn’t sold the positive aspects of being environmentally concerned and trying to pull us out.” Edward Burtynsky

Edward Burtynsky- Vancouver Sun Article
The Photographer's Gallery- Burtynsky:Oil
Manufactured Landscapes Trailer
Manufactured Landscapes Full
TED talks: Edward Burtynsky on Manufactured Landscapes
TED talks: Edward Burtynsky- oil
Edward Burtynsky Site
Story of Stuff
Story of Electronics
Story of Bottled Water

Nature Verses III- Research Assignment

Choose 2 forms of research for your Nature Verses project. Select 2 sources to inspire and educate your project.

Take notes while you watch/read, and collect information for your project planning. Site the title and author of your research, describe what the document is about and what perspective the author takes on the issue, then note how it has influenced your project.
Due May 18th.
Film/Documentaries-
Dirt
No Impact Man
The Earthling (WARNING-real life horror film super scary!)
The Cove
Scared Sacred
Fierce Light
One Ocean (2 episodes)
FOOD Inc.
Our Daily Bread (warning- real life horror film)
Forks Over Knives
Force of Nature- Dr. David Suzuki
HOME by Yann Arthus Bertrand
Baraka
Koyaanisqatsi
Manufactured Landscapes
Inconvenient Truth- Al Gore
The Unforeseen
Sharkwater
Who Killed the Electric Car
Processed People

TED talks/short videos
Edward Burtynski- Photographer of industrial spaces
Phil Borges- Photographer
Wade Davis- National Geographic Explorer on Endangered Cultures
Mark Bittman- Cookbook Author-What is wrong with what we eat?
Jeremy Jackson- How we wrecked the ocean
Captain Charles Moore- Plastic in the ocean
Mike deGruy- Filming Octopus
Sylvia Earle- Protect Our Oceans
Dianna Cohen- Plastic Pollution Coalition
Chris Jordan- Photographer of Excess
Shai Agassi- Electric cars
John Robbins Part 1&2  Why I went vegetarian & What's wrong with eating animals
The Story of Stuff- Problems in Consuming
Story of Bottled Water
Story of Cosmetics
Story of Electronics
Articles/Publications
No Impact Man -Blog
Mother Earth News
The Guardian Environment
Vancouver Sun- Sharks
Globe and Mail- Biodiversity Conference
Globe and Mail- Price of Nature
NY Times- Environment Section
National Geographic
OnEarth
Emagazine
The Walrus- The Last Great Water Fight
Books
Silent Spring- Rachel Carson
Our Common Future
Manufactured Consent- Noam Chompsky
Diet for a New America- John Robbins
Walden, or Life in the Woods- Henry David Thoreau
Ishmael- Daniel Quinn
Animal, Vegetable, Mineral- Barbara Kingsolver
The World Without Us- 

Nature Verses- PLASTIC



Plastic State of Mind
TED talks: Cpt Charles Moore
Story of Water Bottles